Mata
Ortiz Pottery Exhibit Opens at the
Mexican Cultural Institute with Support from PCAH
The intricate designs of Mata Ortiz pottery
are hand painted with extremely fine brushes. The detailed work of just
one pot can often take months to complete.
Mata Ortiz potters are extraordinary artisans whose work reflects cultural
influences drawn from a 1,000 years of traditions found in the Southwestern
U.S. and Sonoran Mexico. The President's Committee is helping to
support an exhibition of 43 works by several families and individuals
who are master craftsmen of the Mata Ortiz style at the Mexican Cultural
Institute in Washington, D.C , August 15 to October 17.
A small pueblo in Chihuahua, Mexico, Mata Ortiz is home to Juan Quesada,
a self-taught potter who revived a centuries-old coiling method for his
vessels, which incorporate contemporary interpretations of ancestral symbols
and designs. His work eventually became prized by collectors and museums,
and as interest in this work grew he taught many of his immediate and
extended family members in Mata Ortiz the craft of making pots. Today,
Mata Ortiz potters have each developed their own style and approach to
their work, making their community a thriving marketplace and destination
for collectors. Although a unique style of pottery, Quesada and the other
Mata Ortiz artisans are part of a shared tradition of pottery connecting
Native cultures and peoples across the southwestern U.S. and northern
Mexico.
The Mata Ortiz exhibit is one of many Mexican exhibits and performances
that the President's Committee has helped bring to the United States.
The exhibit reflects the cultural connections between the U.S. and Mexico,
which has been a focus of the PCAH over the last several years. In 2003
and 2007, the PCAH convened representative from the U.S. cultural agencies—the
National Endowment for the Arts, the National Endowment for the Humanities,
and the Institute of Museum and Library Services—and their counterparts
in Mexico, resulting in two landmark cultural
accords. The Mata Ortiz exhibit and the partnership between the PCAH
and the U.S. Embassy in Mexico to co-sponsor American performing artists
and exhibits in Mexico are two examples of the many such cultural exchanges
or projects that have grown out these accords.
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